Are You Finding The Best Mic For Your Home Recording Studio? Tips For Selecting A Microphone 2022: Tip 1

When I chat to artists, friends, and home recording aficionados, one of the most often questions I get is how to choose the finest microphone. The question is frequently phrased like follows:

What is the best vocal microphone? … Guitars? … Drums, for example…

The implication here is that there is a single miraculous microphone out there that will determine whether or not someone will like your song. As a professional recording engineer for the past 25 years, I understand the need to capture a performance in the finest possible light. This, however, raises the question of what is “best.” Who gets to judge what’s best? Is it possible to reduce that concept to something as basic as frequencies?

I always seek for the microphone that best complements the sound we’re aiming to capture for any instrument or vocalist when choosing a microphone to record them. To make my message very clear…


Sorry for the ranting, but grasping this point is important to selecting the appropriate microphone. I’d like to offer some advise and guidance in the form of my Top 5 Tips for Choosing a Microphone to help you get started. I believe the best place to begin is with a brief overview of microphones.

Learn the Basics

There are basically 4 types of microphones that are currently being used in the recording world.

  1. Dynamic
  2. Condenser
  3. Tube
  4. Ribbon

Other designs exist, such as piezoelectric, electret condenser, and carbon, to mention a few, but they are employed in recording settings less commonly than the four listed above. Let’s take a deeper look at each one with that in mind:

The Dynamic Mic

A Dynamic mic is basically a small speaker designed to vibrate with air pressure fluctuations. Dynamic mikes are very durable, can handle high sound pressure levels, and are relatively insensitive to the environment. Although dynamic mikes are generally less sensitive to high frequencies they play a very important role in the recording studio and serve well for close miking situations with drums, percussion, and guitar/bass amps. When used with vocals they can add warmth and a dry presence to a voice.

The Condenser Mic 

Condenser mikes have a more sophisticated design that frees the diaphragm from a coil as used in a dynamic mic. The benefit is a heightened sensitivity to high frequencies that gives it a presence sometimes lacking in dynamic mikes. Condenser microphones are also the mainstay of any recording studio and can be used well with most instruments. They are usually broken down into 2 categories, small and large diaphragm.

Small diaphragm condenser mikes are less sensitive to low frequencies and work well in situations where you want to limit low-frequency boomy-ness like an acoustic guitar. When padded they can also work well to give your snare drum extra snap and are great for recording cymbals and percussion. Large-diaphragm condenser mikes are more sensitive to lower frequencies and serve well when a full frequency sound is desired. For vocals they are typically used at a very close distance (1-6 inches) For most other instruments, a medium distance (1-4 feet) from the sound source is required to prevent overload unless the mic has a pad switch.

Condenser mikes require external power (usually 48v) typically provided by the mic preamp. They are very sensitive to the quality of the power source and do not work well with interfaces that run on USB power.

The Tube Mic 

A tube mic is essentially a condenser mic with a tube amplification stage. All tube mikes require an external power source which is a separate box provided by the manufacturer and plugged into your wall socket. Tube mikes use unique XLR pin configurations to make sure there is only one way (the correct way!) to connect the mic to the power supply. Tube mikes are very sensitive to the environment and can be quite noisy. They typically need to be turned on an hour before recording so that the tube is in a stable saturation state.

Tube mikes are known for their deep low-end warmth and a high-end sizzle that makes them a perfect match for recording vocals. They generally do not perform well at high sound pressure levels and are often used at a distance when recording loud instruments like drums. Because of all the extra power supplies, cables, and design issues, a tube mic is going to cost quite a bit more than a condenser mic will. Avoid cheap tube mikes, they will be more of a headache than what they are worth.


The ribbon mic is the most sensitive and unique sounding of all mikes used in the studio. A good ribbon mic will give you unparalleled detail. Up until recently, this detail had come with the issue of added sensitivity to the environment, and additional noise. Ribbon mikes are best used with a dedicated preamp specifically designed for use with ribbons.

Modern ribbon mikes are much more rugged than the vintage ones and are not susceptible to being blown up by an accidental supply of 48v (phantom power) designed for use with condenser mikes. Traditionally ribbon mikes were always used at a distance from the sound source due to their delicate design. Modern ribbon mikes can handle the higher sound pressure levels and are amazing on guitar amps.

Some Bonus Mic Terminology:

  • Diaphragm: This is the part of the mic that captures the changes in air pressure, AKA sound.
  • Polar Pattern: The direction that a microphone will best receive signals. This ranges from being most sensitive directly in front (Cardioid) to being sensitive from all directions (Omni). The figure 8 pattern is most sensitive from and back but rejects signals from the side.
  • Pad: A pad is an attenuation used to help prevent sensitive mikes from distorting when subjected to loud sound sources.
  • Phantom Power: A power feed (typically 48v) from mic preamp designed for condenser mikes to power the amplification electronics that allow it to pass audio.

I hope you have found this mic primer tip helpful. In the next tip, I will discuss how musical style plays an important role in the mikes that you select.

For more tips on music production and engineering, please visit my website,

Editor’s Note: Please welcome Michael White to our blog. Mike has graciously agreed to guest post occasionally and I’m sure you’ll find his posts truly informative. Mike has real-world experience in the recorded music industry everything from engineering to production to the teaching of the art of audio recording. I’m excited to have him on board! Be sure to read more about Mike at

Check out the microphone tips collection here!
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