How To Produce Music In An Easier Way? Tips On Using Samples In Audio Editor 2022

Whether you’re writing entire compositions with samples or just need to slice a half-second clip to transpose in your sampler, you’ll need the right tools for the job. In this article, we’ll look at sample manipulation tools for audio editors and what they can do. Most major audio editors can do what we’re about to describe. These include Steinberg WaveLab, SoundForge, Adobe Audition, and a few others that are frequently included in software bundles.

Cut And Slice The Samples

One of the most common functions of your audio Editor is probably cutting, copying, and pasting audio files. In sequencers, audio is typically sliced using the scissor tools; however, in audio editors, this is accomplished by highlighting the sample. One thing to remember is the significance of slicing in units. You want to be able to use your slices rhythmically within your track, and not accurately slicing your audio files can often result in choppy sounding audio files. This gives your samples an uneven fluidity and causes slight breaks in rhythm within your tracks. Make certain that the measure code in your audio editor is in the correct time format. In your preferences, you can assign the measurement code, which can range from samples, minutes, or even beats.

One of the first things you should do is check to see if your audio editor supports zero-crossing points. This means that the horizontal line where the waveform crosses is at zero amplitude, allowing it to blend into other samples or loop without hearing glitches or clips. This is an important aspect of editing good samples. Check your audio editor’s manual to see if it has these functions; all of the big ones do.

Although critical, slicing at zero crossing isn’t always sufficient. Glitches are frequently heard when two samples with contrasting timbres are blended. Make use of your audio editor’s loop functions, which can often assist in resolving timbre differences. Both SoundForge’s Loop Tuner and Wavelab’s Cross fade Lopper match the end of the loop to its beginning, allowing you to see and hear how the two areas blend. The looping start and end points can then be easily adjusted. They also include a crossfade looper, which blends the two samples or loops gently. Wavelab also includes a Loop Tone Equalizer, which adjusts the timbre and EQ levels.

Stretching Your Samples The Way You Want It

Previously, if you wanted to speed up an audio clip, you had to change the pitch in order to change the duration of a sample (think turntable). With new digital editing techniques, samples can be stretched or shrunk using your audio editor to achieve the desired size and length. The functions of different editors vary, but Time Stretching, as it is known, can usually be done in accordance with tempo, percentage, or desired sample duration. However, stretching your sample too much or too little can often result in unnatural sounds, which will not sound good if your intended purpose is realism. Having said that, there is plenty of room to stretch samples and make them sound in ways that the original sound designer never imagined.

The Mighty Pitch Shift

Despite being the younger sister to Time Stretching. The Pitch is no longer connected to the hip. One of the most common applications for pitch shifting is known as pitch correction. Extensive pitch correction may be required at times to keep your tracks in key. Although this is easier to achieve with certain harmonics than others. Without a proper dedication unit, such as Antares Auto Tune, it is extremely difficult to pitch shift a vocal. When shifting rhythmic chords or drum loops, be careful not to deviate too far from the original pitch, as you would with time stretching. The outcomes are not always desirable. Some editors will include formant preservation functions, which are a collection of harmonics found naturally in many sounds. A type of fomant that can be found in bells and reed instruments, but especially in the human voice. This natural feel is lost when shifting, and the famous chip monk sound is heard.

The Pitch Bend

Pitch bending is another useful feature. This feature is not available in all audio editors, but it is available in Wave Lab, SoundForge, and Adobe Audition. It allows you to change the pitch of a sample over time. So, for example, you could change the pitch of a sample throughout the sample. This includes using an envelope curve to draw in the precise pitch. Although they are not the most obvious tools, subtle pitch changes can often be very beneficial in creating effects. On a larger scale, this can be used to simulate the effect of slowing down your records or pressing the stop button on your turntable platter.

Mono To Stereo, Or Stereo To Mono?

This is a fairly simple function that can be used in a variety of ways, but there are some pretty cool things that can be done with it. An example would be the well-known karaoke scenario, in which one can partially remove a vocal from a track. For example, most editors will let you choose how much of each channel you want to extract from your stereo file. Most of the time, you’ll want to split it 50/50, but let’s say you split 100% of the right channel on one mix and 100% of the left channel on the other. After converting these two files, you can put them back into a stereo track and they should phase each other out, with the vocal removed. Although this technique works, it can be extremely ineffective depending on the nature of the audio sample.

Converting a mono to stereo track is just as simple, but your stereo track will sound exactly like your mono track. So there are special functions in editors like WaveLab and SoundForge that can improve the stereo field. Play around with it and you’ll be surprised at how effective these effects can be.

The Good Old Reverse

We’ve been hearing the reverse since the Beatles’ days (Strawberry Fields Forever? ), but there are still some great uses for it. Let’s get it up to date. The Inversion Can be used to create different variations by reversing atmospheres or reversing vocal samples to create some crazy effects. The reverse cymbal is still used in many dance tracks to signal the start of a new verse, chorus, or breakdown.

We can add a twist to the reverse by reversing the effects and then reversing again. This will give us a reverse effect that will lead up to the main sound that caused it. Try it out…. it’s pretty crazy. Heavy reverb always works well because it gives the sample a slight backwards effect, but then the sound is heard correctly and it sounds like it’s coming from a tunnel, but you really don’t know. CRAZY

Sample Conversion

Sample conversion is frequently required to convert sample rates and formats. For example, if your friend gave you a set of samples he has been working on that are in 24-bit format and you want to use them in your project that is done at 16-bit, you will need to use your audio editor to downsize the file in order for it to play properly. This is more of a case-by-case example, but the point is that audio editors can be extremely useful in converting various audio files to the format in which you require them.

In Conclusion

The modern audio editor has become an essential component of the modern studio. Get to know your editor; it will make your editing job a thousand times easier. As previously stated, some editors can perform some functions, but only the best editors can perform them all. Look at what you require; you may not need or want to spend a lot of money if all you require is simple cut and paste editing.

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